Don Chisciotte e Donna Aldonza

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Recitation and shadows for a reinterpretation of the novel that inaugurates modernity in European literature by introducing elements of meta-fiction, characters aware of being part of the history, multiple narrators and other innovative techniques to describe the inner world of a Don Quixote suspended between reality and illusion, carefully retraced in thoughts, emotions and motivations according to a satirical look on society, which reveals, through the absurd adventures of the knight of La Mancha and his squire Sancho Panza, the follies and hypocrisies of the time.

Tiziano Scarpa gives a personal reading that opens a gap from where the shadows of Controluce Teatro d’Ombre infiltrate to support the peculiar acting style of the Accademia dei Folli.

ACCADEMIA DEI FOLLI is a theater company from Turin that was born in 1997 from the synergy and continuous exchange between actors graduated from the Scuola del Teatro Stabile di Torino, playwrights, musicians and technicians: a work team capable of merging artistic urgencies and the needs of the stage with the The intent to give life to a theater in which music and sound effects, words and stage movements, lights and theatrical dynamics merge into a lively theatrical language, capable of communicating with an audience increasingly accustomed to other forms of entertainment, moving and involving them making him think.

CONTROLUCE TEATRO D’OMBRE founded in 1994 by Corallina De Maria, Alberto Jona and Jenaro Melendrez Chas, has always been dedicated to the relationship between shadow theater and music in the field of contemporary, baroque and operatic music collaborating with artists such as Kate Bush, Vinicio Capossela, Jordi Savall, Fabio Biondi, Mario Brunello, Davide Livermore, Nicola Comporande, Alessandro Baricco among others.